Susanna Moore
Full Name and Common Aliases
Susanna Moore is a celebrated American author and screenwriter, known for her evocative prose and keen insights into human nature. While she is primarily recognized by her full name, she has occasionally been referred to simply as Susanna in literary circles.
Birth and Death Dates
Susanna Moore was born on December 9, 1945. As of the latest available information, she is alive and continues to contribute to the literary world.
Nationality and Profession(s)
Susanna Moore is an American national. Her professional repertoire includes being a novelist, screenwriter, and educator. Her work spans across various genres, including fiction, memoir, and screenwriting, showcasing her versatility and depth as a writer.
Early Life and Background
Born in Bryn Mawr, Pennsylvania, Susanna Moore's early life was marked by a series of relocations due to her father's career as a doctor. Her childhood was spent in Hawaii, a place that profoundly influenced her worldview and later became a recurring setting in her novels. The lush landscapes and cultural richness of Hawaii provided a backdrop that would inspire much of her literary work. Moore's upbringing was not without its challenges; she faced the loss of her mother at a young age, an event that deeply impacted her and is reflected in the emotional depth of her writing.
Major Accomplishments
Susanna Moore's literary career is distinguished by several major accomplishments. Her debut novel, "My Old Sweetheart," published in 1982, was met with critical acclaim and established her as a formidable voice in contemporary literature. The novel's success was followed by others, including "The Whiteness of Bones" and "Sleeping Beauties," each contributing to her reputation as a writer of profound emotional and psychological insight.
In addition to her novels, Moore has made significant contributions to the film industry as a screenwriter. Her work on the screenplay for "In the Cut," adapted from her own novel, showcased her ability to translate her narrative skills to the screen, further cementing her status as a versatile storyteller.
Notable Works or Actions
Among Susanna Moore's most notable works is the novel "In the Cut," published in 1995. This psychological thriller delves into themes of desire, danger, and the complexities of human relationships. The novel was later adapted into a film directed by Jane Campion, with Moore co-writing the screenplay. Another significant work is her memoir, "I Myself Have Seen It: The Myth of Hawai'i," which offers a personal and historical exploration of the Hawaiian Islands, blending memoir with cultural critique.
Moore's ability to weave intricate narratives that explore the human psyche has made her works both compelling and thought-provoking. Her novels often feature strong, complex female protagonists, reflecting her interest in exploring themes of identity, autonomy, and resilience.
Impact and Legacy
Susanna Moore's impact on literature and film is marked by her distinctive narrative voice and her exploration of complex themes. Her works have been praised for their lyrical prose and psychological depth, earning her a dedicated readership and critical acclaim. Moore's exploration of female identity and empowerment has resonated with readers, contributing to ongoing conversations about gender and society.
Her legacy is also evident in her role as an educator, where she has influenced a new generation of writers. Through teaching positions at institutions such as Princeton University and Yale University, Moore has shared her expertise and passion for storytelling, inspiring students to pursue their own creative endeavors.
Why They Are Widely Quoted or Remembered
Susanna Moore is widely quoted and remembered for her ability to capture the intricacies of human emotion and the complexities of interpersonal relationships. Her writing is characterized by its emotional honesty and its exploration of themes that resonate with readers on a personal level. Moore's works often challenge societal norms and encourage readers to reflect on their own experiences and beliefs.
Her contributions to both literature and film have left an indelible mark, making her a respected figure in both fields. Moore's insightful observations and eloquent prose continue to inspire and provoke thought, ensuring her place in the pantheon of influential contemporary writers.
Quotes by Susanna Moore
Susanna Moore's insights on:
I think memories are like dreams. Not reliable proof of anything. I can’t prove a memory any more than I can prove a dream.
The belief that love is a finite essence that will eventually run out holds a certain logic for me even now, even if I am supposed to know better.
New York is like a big dinner party. You have to be very careful about what you say and do because you never know whose feet are touching under the table.
While I was writing 'The Big Girls,' I had to take a big breath each morning and calm myself sufficiently to once again enter that world. But friends tell me that it is the only thing that really interests me. They say that I like to be upset.
When I was 23, I went to work for Jack Nicholson reading scripts. Later, I was married to a production designer named Richard Sylbert. So I lived in Los Angeles for ten years.
Transgressive to me means breaking the rules and sinning. I don't see myself as breaking the rules and sinning. I'm really interested in what it means to be female.
On its 2015 list, the Fish and Wildlife Service included the 'ea, or hawksbill turtle, as well as the green turtle, Ridley sea turtle, leatherback turtle and loggerhead turtle. Four mammals are considered endangered: the Hawaiian hoary bat; the kohola, or humpback whale; the sperm whale; and the endemic Hawaiian monk seal.
It is possible to say that all of my books concern themselves with the notion of what it means to be female - whether it is in New York City in 2000 or Calcutta in 1836. In that way, my books really are the same.
'In the Cut' was not what readers expected of me. Before it was published, I was seen as a women's writer, which meant that I wrote movingly about flowers and children.